Wednesday, 23 November 2016

The West Ward Works Brooch and Some Recent Commissions

In May this year I took part in a Craft Scotland Meet Your Maker Event at Scottish Jewellery Week.  The event was hosted by Dundee Design Festival in the old DC Thomson's print works building West Ward Works.  This was where the DC Thomson annuals were printed; the Beano, Dandy, The Broons and Oor Wullie to name a few. I was asked to design and make a piece of jewellery responding to the festival and I choose to make a brooch inspired by the building itself.  I was fascinated with it's history, it's size and being a Beano fan the fact that so many pages of happiness would have been printed and spread all over the world from that building.  I loved the layers of what was left of the building which held the secrets of the things that happened inside. Read the interview here


The brooch will be auctioned online to raise money for ARCHIE Foundation's Tayside Children's Hospital Appeal, the same charity as benefited from the Oor Wullie Bucket Trail. It will be on display at Tea Green's Christmas Pop Up Shop in The Old Flour Mill in Dundee from 26th November where bidding will open until 21st December, bids can be made in a silent auction box or online and will close at 8pm on the 21st.

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I'm now busy helping Santa with some bespoke commissions and making some new Kilt Pins which will be ready to buy in time for Christmas. I'll leave a list of where you'll be able to find my work over the next few weeks at the bottom but meanwhile, feast your eyes on some recently commissioned pieces and if you have an idea yourself for a bespoke piece of jewellery in time for Christmas then now is the time to get your orders in! Read the 'Commission a Kilt Pin' page on my website and send me an email, or see what I have in stock in my online shop...and for more inspiration check out my gallery of bespoke jewellery here 

Kilt Pin and Earrings for Calum and Laura
designed as recognition of their commitment to the MacKenzie Caledonian Pipe Band

Bennachie Kilt Pin
with labrador, sheep and date notches

Bagpipe Kilt Pin
a stylised bagpipe with African Blackwood from an old set of bagpipes and the owners initials BW

Edinburgh Skyline
with music and Roman numerals

Kilt Pins for The Gang
for the groom and his groomsmen made to their own design

Mackintosh Rose and Music Brooch
a 60th birthday present with date notches and sapphire 

Moffat Hills Kilt Pin
view from the wearer's wedding day with date notches and photo-etched map

Sail Kilt Pin with River Thames
with date notches and textured silver

Celtic Cross Pendant
with peridot

JJ Bagpipe Kilt Pin
for a piper with the first letters from his and wife's names


Wren Kilt Pin
blade and plate design with customer's family emblem

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CHRISTMAS STOCKISTS

You can find my work in the following places in the run up to Christmas....there is limited stock in each so please enquire before you visit if you are looking for a specific item. 

DUNDEE

Location - Tea Green Concept Atelier Pop Up, The Old Flour Mill, Exchange Court
Dates - 26th Nov - 24th Dec
What's there? - Special edition Oor Wullie Colour In Jewellery collaborations, Thritty Pings, Men's jewellery (tie slides and kilt pins), pieces from my Oddgon Collection, a collection of silver rings for men and women.... and the West Ward Works Brooch will be on display to bid for.

Location - Pretty Fly Workshop, Broughty Ferry
Dates - all
What's there? - Biocube and Oddgon & Angular Jewelley, Triangulate Kilt Pins and a Dundee Skyline Kilt Pin

Location - Dundee Contemporary Arts Centre (DCA), Perth Road
Dates - all
What's there? - Man Pins

PERTH

Location - Tayberry Gallery, Princes Street
Dates - all
What's there? - Biomorph Jewellery, Kilt Pins, Man Pins, Twist Rings and Thritty Pings

GLASGOW

Location - Tea Green Christmas Market, Kibble Palace, Botanic Gardens
Dates - 10th - 11th Dec
What's there? - Oddgon Jewellery, Thritty Pings, Man Pins, Men's jewellery (tie slides in wood and silver, Kilt Pins and silver rings), Christmas and greetings cards


I am still taking orders for bespoke jewellery and Kilt Pins in time for Christmas, but please get your orders in fast to guarantee delivery under your tree!

I wish everyone a cosy and happy winter, have a jolly time folks!


Tuesday, 13 September 2016

Cheerio Wullymorph!

Today's the day! Later on tonight all of Dundee's colourful Oor Wullie sculptures will be auctioned off to raise money to build a new operating theatre in Tayside Children's Hospital.

Back in June I spent five days in Tayberry Gallery live drawing all over a 5 foot tall fibreglass Wullie to create Wullymorph!  Artists, local and international, were asked to submit designs for the Wullies and then the chosen designs were sponsored by local businesses and brought to life for the Oor Wullie Bucket Trail.

The proposal drawing for Wullymorph
Progress being made....

If you live in Dundee or have visited over the past couple of months then you will be familiar with the cheeky chappy who's been popping up all over the city, some have been on tour to other cities, and over the weekend there they were all brought together in Slesslor Gardens for a spectacular send off!

I was so excited to find out my Wullie was to be displayed in Broughty Ferry, my home town! Thank you everyone for looking after him so well! And here he is in Slessor Gardens with the rest of my family :)

A visit to the P2s at Grange Primary School, we had fun playing with jewellery and making shape pictures together!  

It has been amazing seeing how these sculptures have affected people in the city, I think many will be sad to see them go, but glad it's all for a good cause and has made, and will continue to make, so many people happy and well. Huge thanks to all the organisers who have done a fantastic job making things run smoothly and making sure all the Oor Wullies have been well looked after, it's been a privilege to be involved, fingers crossed for the auction tonight!! Good luck Wullymorph and all the rest!

Friday, 5 August 2016

Spotlight On Meeeee!

This month I am showcasing my work at Tayberry Gallery in Perth as part of their 'Spotlight On' exhibition series.


I designed three Perthshire Kilt Pins specially for the event. The Perth Skyline design features an abstracted version of the famous skyline including St Matthew's Church and Smeaton's Bridge as seen when crossing the Queen’s bridge. As big fans of all things design and architecture, we are donating 10% of every sale of this Kilt Pin to the St Matthew's Church Refurbishment Fund. The Auld Brig is a stylised representation on Smeaton's Bridge and the River Tay Kilt Pin features an ariel view of the river.



My talented sister Shona spent a couple of days in the workshop with me while I made the Auld Brig Kilt Pin and filmed some of the process. She has produced this brilliant video with sounds from local lad Architeq.

Making the Perth Bridge Kiltpin from Shona Spalding on Vimeo.

There's also three special Biomorphs being exhibited, each pendant strung on different beads complimenting the colour of the resin. The first one, strung on the green chrysoprase, was made specially for the Dundee Design Festival earlier this year and was exhibited in the Scottish Jewellery Week Exhibition 'These Hands'.


The exhibition is on for another couple of weeks so head along to the gallery to see more! Here's some sneaky peeks to tempt you :) and if you are too far away to visit but see something you like then please contact the gallery for enquiries.




Tuesday, 19 July 2016

Selected Commissions

Oh dear! I have let the blog slip a bit! :/ So to warm things up again here's some commissioned Kilt Pins and other jewellery from the past year.....

Loch Lomond Kilt Pins
designed for a groom and his groomsmen with their names on the back

Brodie Kilt Pin
reworking of the Brodie Clan crest

Whisky Cask Oak Kilt Pin and Cufflinks
made for Dave and Claire's wedding day, a C shape in the the hole in the wood and a long D shape in silver on the right of the Kilt Pin, date notches representing their wedding day on the kilt pin and the day they met on the cufflinks

Edinburgh Skyline and Rugby Ball Kilt Pin
with date notches

Loch Lomond Kilt Pin
the view over Loch Lomond, notched date stick, music score

Oban and Mull Kilt Pin and Belt Buckle
the view from McCaig's Folly over Kerera and Mull, pipe score to 'I See Mull'

Yorkshire Rose Tie Clip
mountains of Montana, turquoise stone and initials

Swimming Salmon Kilt Pin
little salmon move up and down a cut out of the River Dee

Kilt Pin for a Dundee Piper
bass drone with views of the Law, date stick and stag's head

Anchor and Claymore Kilt Pin

The Bang Club Pendant
a present from husband to wife using the logo of the club where they met, the holes round the edge signify the 25 years they've been together with markers for the years when their children were born, the snake represents their first dance - The Snake by Al Wilson

Maple Leaf and Thistle Claymore

Kilt Pin for a Glasgow Pianist
with date stick, keyboard and views of Glasgow

Initial Thistle Kilt Pins
with date notches and birthstones

Biomorph Cufflinks
colours to match the wearers kilt

Flute Brooch

Snowboard Pendants

Husky Kilt Pin
design from the clients illustration with a topaz for the husky's eye




I've been lucky enough to have a couple of awesome friends commission me to make their engagement rings which allowed to experiment with some new ideas and the Cairngorm! My new favourite stone! The Cairngorm is a type of smokey quartz found in the Cairngorm mountain range, it's very rare and these ones in particular are very pretty, a sparkly champagne colour with a hint of grey/purple mist, so very Scottish!


I'm going to leave it there just now....silly of me not to have blogged earlier, so much has happened over the past year.....I'll quickly list some things so I don't forget! My sister's wedding and hen do adventure on Skye, making cap badges for Shotts and Dykehead Caledonia Pipe Band, Dundee's Big Wedding Exhibition in the Caird Hall, taking part in Tea Green markets and pop up shops and started 'Colour In Jewellery' with Joanne MacFadyen, a Christmas visit from my Brazilian sister Kira, skiing in the Alps, photographing Man Pins on Skye, pipe band trips to Germany and France, Scottish Jewellery Week and the Jewellery Trail around Dundee, Jeweller in Residence for the Dundee Design Festival and painting a giant Oor Wullie! 
TTFN


Sunday, 31 May 2015

Behind the Scenes - Acid Etching

With the help of my intern, Katie Watt, I've put together a post explaining a couple of the different ways I use the process of etching to add pattern and texture to my work.

Photo-Etching


Photo-etching is a process that uses light and acid to cut the design I’ve drawn into the silver.

By scanning my drawings and doing a little editing and tidying on Photoshop I can print my image on to acetate. The print quality will effect the final outcome so it’s always worth checking the black is super black and there are no marks on the acetate that shouldn’t be there.

Transferring the image from the acetate to the silver is made possible with light sensitive film. This film is attached to the silver - but beware - it’s got to be in a dark room under a “safe” red light otherwise the magic happens before we’re ready. The freshly prepared silver/film combination now has to be left to dry somewhere TOTALLY dark overnight - which means it’s onwards and upwards with some other project, time for a beer, or if I’m doing this at 2am (which is not uncommon) it’s time for bed!

How my workspace is set up for photo-etching.

In the morning I’m ready for stage two. The acetate goes on top of the silver/film and then that goes upside down on a light box where it’s blasted with the UV light. The film hardens when it is exposed to light but - and here is the key - the black ink protects the film from hardening. Therefore where the image was on the acetate the film will be soft and everywhere else will have hardened. Putting it in a soapy solution and giving it a little scrub with a toothbrush brushes off the unhardened film, exposing the silver so it’s ready for the acid.


The hardened film will now protect the silver from the acid so that only where the film has been washed away will the acid cut the silver. Read further on to find out a bit about how the acid works with the silver. For now I’ll just say the silver is submerged in the acid for the right amount of time and then the silver is left in caustic soda and water until the remaining film disintegrates.

The silver is ready to be etched as the blue film has hardened. 2. Going into the acid. 3. After it has been in the acid it goes into caustic soda and water which disintegrates the film.

Then I need to cut of the shape, maybe do some soldering, polish it up and what-not ….. And voila!! What was recently an idea in my head and a drawing in my sketchbook is now etched into the silver, creating a beautiful piece of handmade bespoke jewellery.


The finished Hare Pendant with a diamond set in the eye.


Traditional Etching



Kenmore and Niseach Kilt Pins - both traditionally etched.

Photo-etching gives you the opportunity to create designs digitally or by scanning drawings which can be edited with Photoshop if required. Another method that gives a more organic, hand drawn design is a more traditional method of etching. After coming up with a design I get the silver and completely cover it in black furniture polish. Once it is dry I use a scribe (a pointy metal tool) to scratch away the black polish as I freehand draw the design. The areas where I have scratched away the black polish are now unprotected and when I put the silver in the acid it will be these areas that will be cut into.


Oxidisation is a good way to really show off the etching as it gives a stark contrast in colour which reveals the interesting textures and helps them to stand out.


Acid Antics 


The acid reacts differently for many reasons. Of course the length of time the piece is in the acid is going to have a big effect. Temperature, the age of the acid, the position of the silver in acid and different types of acid all effect the way the acid behaves and need to be monitored to ensure the desired result is achieved.


The text on this Kilt Pin stands out as the area around it has been bitten away by acid. This was done using the traditional method of etching. The textured effect comes from the organic freehand scratching away of the black polish combined with the acid cutting unevenly due to the angle at which it sat in the acid pot.

Examples of each method :

The Oak Leaf Kilt Pin is a good example of how photo-etching can be really efficient. The pattern can be drawn by hand and then digitally expanded. Using digital software means that the pattern can be edited and perfected before being printed and etched. Someone else's handwriting can be replicated using photo-etching too. The music written on this Kilt Pin was hand written by the client’s bagpipe teacher - photo etching allows me to transfer this directly to the Kilt Pin making it even more special.



Photo-etching was used for the Hare as you can see here with the hand drawing transferred to a digital drawing. The Kenmore design was more suited to traditional etching as a rougher more textured organic pattern was desired.

So which way is best? It is important to choose the right method for each individual project which is usually based to the aesthetic of the finished product. There are loads of things to experiment with when etching - I’m always up for testing different things and seeing what works and I’m sure I’ll still be discovering new tips and tricks long into the future.